The Freefly ALTA 8 allows us to carry some of the the largest cinema payloads on the market. We confidently fly RED, ARRI and other professional cinema cameras with light cinema zoom lenses and FIZ weighing up to 20-pounds. We can capture cinematic aerial shots like never before with the option to mount the MōVI on top. 




The Freefly ALTA 6 multi-rotor unpacks, ready to shoot, in under five minutes. It is powerful, rigid, adaptable, reliable, and is optimized for up to 15-pound payloads. We confidently fly RED, ARRI and other professional cameras with cinema primes on the Alta 6. We can capture cinematic aerial shots like never before with the option to mount the MōVI on top. 


The MōVI redefined what is possible in stabilized camera movement. A hand-crafted stabilizer designed 100% from the ground up to empower a new era of stabilized cinematography focused on freedom of movement and creativity. Our selection of MōVI's  are compatible with cameras ranging from the Sony A7s, GH4, RED DRAGON/WEAPON and the Alexa Mini. We have a MOVI package that is suited for productions of all scales.





We can fly just about every light weight lens and camera combination on the market

  • Zeiss Super Speeds
  • Zeiss Standard Speeds
  • Zeiss CP2's
  • Arri Ultra Primes
  • Panavision Super Speeds MKii 
  • Kowa Prominar Anamorphic
  • Arri Alexa Mini
  • RED Dragon
  • RED Weapon
  • Phantom Miro
  • Sony F55
  • Canon C300
  • BMCC 4k
  • Sony A7s
  • Panasonic GH4

Paralinx Video Downlink

The Paralinx TOMAHAWK is a revolutionary HD Video Transmission system offering Real Time Wireless HD with unprecedented range of up to 2000 feet and still maintains an incredible sub 1ms latency glass-to-glass.  With BNC output on the ground we are able to run video directly to Video Village for live viewing and VTR.



The DJI Inspire 1 X5R is a highly capable drone that shoots ultra high quality 4K RAW footage. This setup is perfect for episodic, reality, indoor shoots, specialty shots, on camera work and extreme weather. The Inspire 1 carries a proprietary 4K RAW camera and uses a variety of Micro Four Thirds mount lenses. This camera cuts in well with RED and ALEXA footage.